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The luxury- and self-obsessed yuppies of the “greed is good” eighties demanded that the romantic market deliver partners tailored to their niche specifications, developing early versions of the kinds of matchmaking services that have been perfected in today’s digital gig economy, where the personal is professional, and everyone self-brands accordingly.Dating is therefore a powerful force of social control—but what do we actually mean by “dating”?You’d have to be a masochist not to try to wake yourself up. At twenty-six, she was involved with an older man who was torn between her and an ex he hadn’t lost interest in.Maybe he wouldn’t choose either of them; he told Weigel that he found the whole premise of long-term romance “ideologically suspect.”She realized that she had no idea what she herself wanted from romance.“If marriage is the long-term contract that many daters still hope to land, dating itself often feels like the worst, most precarious form of contemporary labor: an unpaid internship,” Weigel writes at the start of her book.The process of testing out potential mates, and of being tested by them in turn, can be gruelling, bewildering, humiliating.Six months into their relationship, she discovered that he was seeing half a dozen other women, one of whom he’d been stringing along for two years.

The monogamy of the booming postwar fifties offered “a kind of romantic full employment,” while the free love of the sixties signified not the death of dating but its deregulation on the free market.

(John, who was white, pursued only Asian women, leaving his girlfriends with the icky sense that they’d been fetishized as well as deceived.) Still, romantic scammers aren’t an invention of modern courtship and its digital devices.

They’re a staple of Jane Austen novels: John Willoughby, who caddishly breaks Marianne’s heart in “Sense and Sensibility”; George Wickham, who reels in both Lizzy and Lydia Bennett in “Pride and Prejudice”; Frank Churchill, in “Emma,” who flirts with Miss Woodhouse while being secretly engaged to her frenemy, Jane Fairfax. As a twenty-first-century guy living in one of the most culturally liberal of American cities, he had options available to him that men in Regency England did not.

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a young woman in San Francisco, met a man—call him John—on the dating site OKCupid. More notably, he indulged in the kind of profligate displays of affection which signal a definite eagerness to commit.

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